You know it's absolutely the nicest feeling when people come up to you or message asking if you've seen a particular movie and whether you liked it enough to write about it on Facebook as an essay-ish status. That is what's been happening in the past ten days as friends on my Fb list have been expressing curiosity to me in person, about what I have to say of 'Tamasha'. How shamelessly celebrity-ish of me to declare it, hain na? *gloats*
Unlike earlier days or the period B.S. (that's Before Seeya for those who have arrived late to the party), we do not watch just about any movie in the theatre nowadays. And definitely not immediately. The 'once in few months' disease has taken over. The reviews obviously sway the decision of whether or not we should make the effort for it. Tamasha we went for because Seeya wanted to watch it, having loved the songs especially "Tum saath ho" (a proud moment for me as mommy having discovered she might finally have some "proper" taste in music *looks up at heaven in a silent gratitude prayer*)
Honestly I was quite curious to experience Tamasha myself. Not in the longest time do I remember people giving such extreme reviews about the same movie. They were either loving it to the core or completely disgusted by how boring it is. Whatever happened to good old "one time watch hain" type ke reviews bhaisaab? (Like anyone would watch any movie the second time anyway. Oh, you would? No issues. Please, by all means do).
And you know what's the funny part about having watched and been done with Tamasha? I still don't know if I really liked it. So, let's dissect it. Like I say, I always get more coherent in my thinking once I put it in words. Though sometimes more lost too. Sigh!
When it comes to love stories, I may write about unconditional and deep focussed love but somewhere I believe only in the pragmatic side to the matters of the heart. So while I put my money on love, the other approaches to it like one sided love or perishing in the memory of a love lost or loving irrevocably someone you've never spoken to or yearning in the thorns of irreplaceable love are all more fairytale-ish domains if you ask me (yes, despite my hopelessly romantic standards). The concept of ethereal love sounds beautiful but you doubt if it's possible or feasible. You may say otherwise, feel otherwise yet truth is ~ nobody is irreplaceable.
Due to this perhaps I had trouble digesting Rockstar although I had easily gulped it down and let it flow bewitchingly through my veins when the movie was released. But can you really let your whole life just pass by or go down the drain because one woman left you or one man did, whom you met and spent a week with? Aren't we a little too spoilt for choices in today's times? Or maybe it's just the case of 'only he can tell where the sole itches, who wears it'.
Tamasha went down well with many for the very reason that they could relate to the loneliness of being in a world that isn't theirs. Look around, all spaces teeming with the twenty somethings who look fitter, meaner, more confident and at the same time terribly broken. Look deeper and you find a haunting aloneness even in crowds, manifesting itself in aloofness in case of some and coldness in case of others. And often it takes just tender loving care of one person to lift the veil of hopelessness that grips these lives. Hundreds of people you maybe in talks with but not one whom you can talk to. Hence the plausible hypothesis that the absence of that one person can really crush the earlier dwindled self-faith of someone.
I wish the film had opened better though. That staged dramatic scene was a bad start. And then too much of childhood foundation, when you really have the sparkling brilliance of Ranbir to emote just about anything in the most stirring of ways. Is it just me or does Ranbir appear sad to you too, even in the happier of frames? Like also in the commercials for that matter. The kind of unhappiness that makes you want to hug and cuddle him (Even spooning if he agrees to it). He needs to do a very happy film asap. That loneliness is becoming his trademark. And boringly so.
And probably the viewers went to the theatres expecting Matargashti of 'Dilliwali Girlfriend' kinds (I forget the name of that movie, sorry). You know, when you hope to see Salman and they show you Irfan instead. Now Irfan is not really a bad bargain and I'd rather prefer him any day (as far as onscreen viewing choices are concerned) but then you get the drift. We become those overbearing adults half way through this movie, feeling the whole lack of acceptance of the hero, as being rather sissy. "Bah! Nonsense! You can't earn a living through drama and story telling. Saare duniya Phir yahi karte phire. Why grow up from childhood! Sabko adjust and compromise Karna padta Hain! And some more blah blah adult shit."
Actually yes. And movies like always, sell us dreams that show we don't HAVE TO adjust and compromise. What they don't tell you is that it happens with one in thousands. And not everyone can be that One. We feel a tug of restlessness somewhere because we didn't get that choice to break through those barricades and we hate it. We hate us. We hate anyone who is able to. We hate such movies that show life beyond convention for they confuse the fuck out of our beliefs that we don't want to accept.
I want to travel the world, live by the sea, write the days off, soak in cut-off-from-the-world-love and just be. But can I give up my responsibilities as a mother, as a wife, as a daughter-in-law of the house to just be? I have to be happy with the glimpses of what and how I get these. And so does everyone. "Please adjust" mentality. Tamasha revels in celebration of those who manage to break through without breaking down.
Whether you're a corporate slave, a thriving businessman, a doting mother, the bread earner, a house maker, a college goer, each one of us is suppressing some urges somehow. So we feel a tinge of ache somewhere as the Tamasha unfolds. We know how difficult it is to be ourselves in the surroundings that aren't us. Yet most of us are lucky to survive it without major meltdowns. Lucky to find love. Lucky to still be.
Tamasha manages to strike that cord but somehow some harmony is missing. Or perhaps I was too inclined to not have Seeya bored through it and ask us to take her home, to really find that substance which I felt was lacking in the over all impact that leaves something in our heart for a longish time.
The trouble is everyone in today's times realises he is different but can't do a thing about it except blend in. It needs way more strength and grit to break through conventional modes than normal human prowess provides individuals with. Let's be happy someone finds his happy place. Let's try to bring it in ours in whatever little suitable ways. For the Tamasha was there before us and would go on whether we're there or not. Like they say, the show must go on. And as for whether I liked the movie Tamasha or not...hmm, we didn't really get there, did we?
Unlike earlier days or the period B.S. (that's Before Seeya for those who have arrived late to the party), we do not watch just about any movie in the theatre nowadays. And definitely not immediately. The 'once in few months' disease has taken over. The reviews obviously sway the decision of whether or not we should make the effort for it. Tamasha we went for because Seeya wanted to watch it, having loved the songs especially "Tum saath ho" (a proud moment for me as mommy having discovered she might finally have some "proper" taste in music *looks up at heaven in a silent gratitude prayer*)
Honestly I was quite curious to experience Tamasha myself. Not in the longest time do I remember people giving such extreme reviews about the same movie. They were either loving it to the core or completely disgusted by how boring it is. Whatever happened to good old "one time watch hain" type ke reviews bhaisaab? (Like anyone would watch any movie the second time anyway. Oh, you would? No issues. Please, by all means do).
And you know what's the funny part about having watched and been done with Tamasha? I still don't know if I really liked it. So, let's dissect it. Like I say, I always get more coherent in my thinking once I put it in words. Though sometimes more lost too. Sigh!
When it comes to love stories, I may write about unconditional and deep focussed love but somewhere I believe only in the pragmatic side to the matters of the heart. So while I put my money on love, the other approaches to it like one sided love or perishing in the memory of a love lost or loving irrevocably someone you've never spoken to or yearning in the thorns of irreplaceable love are all more fairytale-ish domains if you ask me (yes, despite my hopelessly romantic standards). The concept of ethereal love sounds beautiful but you doubt if it's possible or feasible. You may say otherwise, feel otherwise yet truth is ~ nobody is irreplaceable.
Due to this perhaps I had trouble digesting Rockstar although I had easily gulped it down and let it flow bewitchingly through my veins when the movie was released. But can you really let your whole life just pass by or go down the drain because one woman left you or one man did, whom you met and spent a week with? Aren't we a little too spoilt for choices in today's times? Or maybe it's just the case of 'only he can tell where the sole itches, who wears it'.
Tamasha went down well with many for the very reason that they could relate to the loneliness of being in a world that isn't theirs. Look around, all spaces teeming with the twenty somethings who look fitter, meaner, more confident and at the same time terribly broken. Look deeper and you find a haunting aloneness even in crowds, manifesting itself in aloofness in case of some and coldness in case of others. And often it takes just tender loving care of one person to lift the veil of hopelessness that grips these lives. Hundreds of people you maybe in talks with but not one whom you can talk to. Hence the plausible hypothesis that the absence of that one person can really crush the earlier dwindled self-faith of someone.
I wish the film had opened better though. That staged dramatic scene was a bad start. And then too much of childhood foundation, when you really have the sparkling brilliance of Ranbir to emote just about anything in the most stirring of ways. Is it just me or does Ranbir appear sad to you too, even in the happier of frames? Like also in the commercials for that matter. The kind of unhappiness that makes you want to hug and cuddle him (Even spooning if he agrees to it). He needs to do a very happy film asap. That loneliness is becoming his trademark. And boringly so.
And probably the viewers went to the theatres expecting Matargashti of 'Dilliwali Girlfriend' kinds (I forget the name of that movie, sorry). You know, when you hope to see Salman and they show you Irfan instead. Now Irfan is not really a bad bargain and I'd rather prefer him any day (as far as onscreen viewing choices are concerned) but then you get the drift. We become those overbearing adults half way through this movie, feeling the whole lack of acceptance of the hero, as being rather sissy. "Bah! Nonsense! You can't earn a living through drama and story telling. Saare duniya Phir yahi karte phire. Why grow up from childhood! Sabko adjust and compromise Karna padta Hain! And some more blah blah adult shit."
Actually yes. And movies like always, sell us dreams that show we don't HAVE TO adjust and compromise. What they don't tell you is that it happens with one in thousands. And not everyone can be that One. We feel a tug of restlessness somewhere because we didn't get that choice to break through those barricades and we hate it. We hate us. We hate anyone who is able to. We hate such movies that show life beyond convention for they confuse the fuck out of our beliefs that we don't want to accept.
I want to travel the world, live by the sea, write the days off, soak in cut-off-from-the-world-love and just be. But can I give up my responsibilities as a mother, as a wife, as a daughter-in-law of the house to just be? I have to be happy with the glimpses of what and how I get these. And so does everyone. "Please adjust" mentality. Tamasha revels in celebration of those who manage to break through without breaking down.
Whether you're a corporate slave, a thriving businessman, a doting mother, the bread earner, a house maker, a college goer, each one of us is suppressing some urges somehow. So we feel a tinge of ache somewhere as the Tamasha unfolds. We know how difficult it is to be ourselves in the surroundings that aren't us. Yet most of us are lucky to survive it without major meltdowns. Lucky to find love. Lucky to still be.
Tamasha manages to strike that cord but somehow some harmony is missing. Or perhaps I was too inclined to not have Seeya bored through it and ask us to take her home, to really find that substance which I felt was lacking in the over all impact that leaves something in our heart for a longish time.
The trouble is everyone in today's times realises he is different but can't do a thing about it except blend in. It needs way more strength and grit to break through conventional modes than normal human prowess provides individuals with. Let's be happy someone finds his happy place. Let's try to bring it in ours in whatever little suitable ways. For the Tamasha was there before us and would go on whether we're there or not. Like they say, the show must go on. And as for whether I liked the movie Tamasha or not...hmm, we didn't really get there, did we?
